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ACTOR with a CAUSE

Khalid Mohamed’s heartspeak with Atul Kulkarni, the actor of substance and spleen, who has lately been making waves with...

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Director’s Cut

Film historian Dhruv Somani, pens a tribute to the late producer-director Ravi Tandon, who had kept a low profile throughout h...

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Manasi Rachh: In the Spotlight

Aparajita Krishna traces actor, model Manasi Rachh’s interesting journey across theatre, films and now web-series.

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Is Shaadi, Barbaadi??

\Whatever happened to the pavitra bandhan that symbolised this revered bonding? Why does the M word evoke such deep suspicion, apprehension and...

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Valentine’s Day: Ishqbaazi or Dramabaazi

Monojit Lahiri investigates what this day of ‘love, Valentine’s Day, means to people at large. He asks, “Dif...

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A mutiny or a plea for independence

As discussions continue, Farrukh Dhondy remembers writing a script for Ketan Mehta - Rani of Jhansi, which was hijacked of cou...

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Claude Chabrol and The Poetics of Murder

My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...

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The art of Gaganendranath Tagore

At the height of darkness comes the first stirrings of dawn - a renaissance in the arts, literature and social life. It is against this backdro...

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My first trip on Air-India

With Air-India in the news, Farrukh Dhondy reminisces u...

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Widening the Definition of Literature with Bob Dylan

The word ‘literature’ in a dictionary covers many genres of achievement and is the generic name for many sins, writes Farrukh Dhondy. Neverthel...

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